Intersected Objects

Monolithic forms, intimate atmospheres.

This piece continues my exploration between the Monoliths series and the Milano lamps — a language built through intersections, embedded geometries, and shifting volumes.

Here, colored light interacts with metal surfaces, generating a quiet and intimate atmosphere where the object begins to shape the surrounding space.

What interests me is that moment where geometry is no longer only structure, but presence.

Where light reveals the cut.
Where forms intersect and become environment.